When you shoot 24pA on the DVX then it's actually true 24p (or 23.976 to be exact). The DVX can shoot exactly the same thing. The NLE is seeing EXACTLY what the camera recorded. Why are you at your rope's end? You bought a camera that doesn't shoot in the format you want. Please help me out or point me to a solution that doesn't involve 47 steps! -) My feeling is that footage shot at 24P should be easily brought in and interpreted as 24P by video editing software. I'll keep looking, but I am at my rope's end here. Or perhaps there is a Cineform solution? Or another alternative? If I do have to use one of those 3 pieces of software, does anyone have a recommendation? Without knowing much, I would probably want to use Tmpegenc first because in times past I have used their software and really liked it, then Magic Bullet because I have heard so much about it, then finally DVfilm Maker, which the main attraction seems to be price. It looks to me that in order to avoid some insane workflow I have to use 1 of 3 softwares: DVFilm Maker, Magic Bullet, or Tmpegenc Xpress to re-encode the footage.
#Best movie editing software to use with canon vixia hv30 pro
The Question is: How do I get my Vixia HV30 HD 24P footage to be interpreted as 24P in Vegas? Will this be easier to accomplish in Premiere Pro CS3 or CS4? Basically they have to transcode the footage, which seems to me to defeat the purpose of shooting in 24P in the first place.
I have found out that people have to go through nutty workflows to get HV30 footage to be interpreted as 24P in Vegas.
I've done a lot of searching and reading all day yesterday, learned about the 60i wrapper and all that. No matter the project settings I use, I see a lot of blurry frames in my HV30 HD Footage. When I captured the HD 24P footage shot on the HV30 to Vegas 9 64 Bit, the HV30 footage properties reads at 29.97 frame rate and the DVX100 footage properties reads at 23.97 frame rate. I have a Canon GL2, which does not shoot 24P and as my backup a Vixia HV30, which I discovered did shoot in 24P! I thought this was very lucky because I was planning to hang this camera out of the side of a car and do some other dangerous things so it was safer for me to put at risk. Hello, so I wanted to add some footage to a concert that was shot with a Panasonic AG-DVX100 in 24P.